In the beginning: Why the media couldn’t charge for content.

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寮佃布鏃ユ湡 鍒嗛 妯欓 纾侀张 澶у皬 绋瓙 涓嬭级 瀹屾垚 鐧间綀浜
浠婂ぉ 13:58 2022/09/28 13:58 鍕旷暙 LoliHouse [LoliHouse] 椤剁偣!!!!!!!!!!!!!!! / Teppen / 銇︺仯銇恒倱銇 [01-12鍚堥泦][WebRip 1080p HEVC-10bit AAC][绠绻佸唴灏佸瓧骞昡[Fin] 绱1姊濊璜     6.6GB - - - LoliHouse
浠婂ぉ 13:11 2022/09/28 13:11 鍕旷暙 NC-Raws [NC-Raws] 鐣颁笘鐣岃糠瀹!鐨勫緦瀹敓娲 / Isekai Meikyuu de Harem wo - 04 (CR 1920x1080 AVC AAC MKV)     1.3GB - - - 涔濆崄涔濇湐澶
浠婂ぉ 13:11 2022/09/28 13:11 鍕旷暙 NC-Raws [NC-Raws] 鐣颁笘鐣岃糠瀹!鐨勫緦瀹敓娲 / Isekai Meikyuu de Harem wo - 01 (CR 1920x1080 AVC AAC MKV)     1.3GB - - - 涔濆崄涔濇湐澶
浠婂ぉ 13:10 2022/09/28 13:10 鍕旷暙 NC-Raws [NC-Raws] 鐣颁笘鐣岃糠瀹!鐨勫緦瀹敓娲 / Isekai Meikyuu de Harem wo - 05 (CR 1920x1080 AVC AAC MKV)     1.3GB - - - 涔濆崄涔濇湐澶
浠婂ぉ 13:09 2022/09/28 13:09 鍕旷暙 NC-Raws [NC-Raws] 鐣颁笘鐣岃糠瀹!鐨勫緦瀹敓娲 / Isekai Meikyuu de Harem wo - 12 (CR 1920x1080 AVC AAC MKV)     1.3GB - - - 涔濆崄涔濇湐澶
浠婂ぉ 13:09 2022/09/28 13:09 鍕旷暙 NC-Raws [NC-Raws] 鐣颁笘鐣岃糠瀹!鐨勫緦瀹敓娲 / Isekai Meikyuu de Harem wo - 09 (CR 1920x1080 AVC AAC MKV)     1.3GB - - - 涔濆崄涔濇湐澶
浠婂ぉ 13:09 2022/09/28 13:09 鍕旷暙 NC-Raws [NC-Raws] 鐣颁笘鐣岃糠瀹!鐨勫緦瀹敓娲 / Isekai Meikyuu de Harem wo - 06 (CR 1920x1080 AVC AAC MKV)     1.3GB - - - 涔濆崄涔濇湐澶
浠婂ぉ 13:09 2022/09/28 13:09 鍕旷暙 NC-Raws [NC-Raws] 鐣颁笘鐣岃糠瀹!鐨勫緦瀹敓娲 / Isekai Meikyuu de Harem wo - 07 (CR 1920x1080 AVC AAC MKV)     1.3GB - - - 涔濆崄涔濇湐澶
浠婂ぉ 13:07 2022/09/28 13:07 鍕旷暙 NC-Raws [NC-Raws] 鐣颁笘鐣岃糠瀹!鐨勫緦瀹敓娲 / Isekai Meikyuu de Harem wo - 08 (CR 1920x1080 AVC AAC MKV)     1.3GB - - - 涔濆崄涔濇湐澶
浠婂ぉ 13:07 2022/09/28 13:07 鍕旷暙 NC-Raws [NC-Raws] 鐣颁笘鐣岃糠瀹!鐨勫緦瀹敓娲 / Isekai Meikyuu de Harem wo - 02 (CR 1920x1080 AVC AAC MKV)     1.3GB - - - 涔濆崄涔濇湐澶
浠婂ぉ 13:07 2022/09/28 13:07 鍕旷暙 NC-Raws [NC-Raws] 鐣颁笘鐣岃糠瀹!鐨勫緦瀹敓娲 / Isekai Meikyuu de Harem wo - 10 (CR 1920x1080 AVC AAC MKV)     1.3GB - - - 涔濆崄涔濇湐澶
浠婂ぉ 13:07 2022/09/28 13:07 鍕旷暙 NC-Raws [NC-Raws] 鐣颁笘鐣岃糠瀹!鐨勫緦瀹敓娲 / Isekai Meikyuu de Harem wo - 11 (CR 1920x1080 AVC AAC MKV)     1.3GB - - - 涔濆崄涔濇湐澶
浠婂ぉ 13:07 2022/09/28 13:07 鍕旷暙 NC-Raws [NC-Raws] 鐣颁笘鐣岃糠瀹!鐨勫緦瀹敓娲 / Isekai Meikyuu de Harem wo - 03 (CR 1920x1080 AVC AAC MKV)     1.3GB - - - 涔濆崄涔濇湐澶
浠婂ぉ 12:57 2022/09/28 12:57 鍕旷暙 LoliHouse [鍠佃悓Production&LoliHouse] LoveLive! 瓒呯骇鏄庢槦!! 2鏈 / Love Live! Superstar!! S2 - 09 [WebRip 1080p HEVC-10bit AAC][绠绻佹棩鍐呭皝瀛楀箷] 绱1姊濊璜     588.8MB - - - LoliHouse
浠婂ぉ 12:57 2022/09/28 12:57 鍕旷暙 LoliHouse [鍠佃悓Production&LoliHouse] LoveLive! 瓒呯骇鏄庢槦!! 2鏈 / Love Live! Superstar!! S2 - 08 [WebRip 1080p HEVC-10bit AAC][绠绻佹棩鍐呭皝瀛楀箷] 绱1姊濊璜     903.8MB - - - LoliHouse
浠婂ぉ 12:57 2022/09/28 12:57 鍕旷暙 LoliHouse [鍠佃悓Production&LoliHouse] LoveLive! 瓒呯骇鏄庢槦!! 2鏈 / Love Live! Superstar!! S2 - 07 [WebRip 1080p HEVC-10bit AAC][绠绻佹棩鍐呭皝瀛楀箷] 绱1姊濊璜     633.2MB - - - LoliHouse
浠婂ぉ 12:27 2022/09/28 12:27 鍕曟极阔虫▊ 澶╀娇鍔ㄦ极璁哄潧 [Hi-Res][220928]HoneyWorks 銉忋偝銉嬨儻銉儶銈(Hanon脳Kotoha) 1st Album銆孡ily's Plage銆峓48kHz/24bit][FLAC]     1.4GB - - - 澶╀娇鍔ㄦ极
浠婂ぉ 11:55 2022/09/28 11:55 鍏朵粬 钀濊帀绀炬椿鍔ㄥ 銆怤辞.202銆戙倐銇点倐銇点仾銈汇兗銉┿兗链崀500鏋+500鏋殈喔区鈥⑾夆赌喔     2.5GB - - - 鎭嬩箣鏄熺鍏
浠婂ぉ 11:48 2022/09/28 11:48 鍕曟极阔虫▊ 澶╀娇鍔ㄦ极璁哄潧 [220928]HoneyWorks 銉忋偝銉嬨儻銉儶銈(Hanon脳Kotoha) 1st Album銆孡ily's Plage銆峓320K]     232.9MB 0 3 0 澶╀娇鍔ㄦ极
浠婂ぉ 10:55 2022/09/28 10:55 鍕旷暙 鐖埅瀛楀箷缁 銆愮埅鐖瓧骞曠祫銆戔槄7鏈堟柊鐣猍涓嶆鑰呬箣鐜 绗洓瀛/Overlord IV][13][END][1080p][HEVC][BIG5][MP4][鎷涘嫙缈昏鏍″皪]     208.1MB 13 3 17 zzsJaJA
浠婂ぉ 10:53 2022/09/28 10:53 鍕旷暙 鐖埅瀛楀箷缁 銆愮埅鐖瓧骞曠粍銆戔槄7鏈堟柊鐣猍涓嶆鑰呬箣鐜 绗洓瀛/Overlord IV][13][END][1080p][HEVC][GB][MP4][鎷涘嫙缈昏瘧鏍″]     208.1MB 12 6 8 zzsJaJA
浠婂ぉ 10:52 2022/09/28 10:52 鍕旷暙 鐖埅瀛楀箷缁 銆愮埅鐖瓧骞曠祫銆戔槄7鏈堟柊鐣猍涓嶆鑰呬箣鐜 绗洓瀛/Overlord IV][13][END][1080p][AVC][BIG5][MP4][鎷涘嫙缈昏鏍″皪]     274.5MB 7 2 10 zzsJaJA
浠婂ぉ 10:51 2022/09/28 10:51 鍕旷暙 鐖埅瀛楀箷缁 銆愮埅鐖瓧骞曠粍銆戔槄7鏈堟柊鐣猍涓嶆鑰呬箣鐜 绗洓瀛/Overlord IV][13][END][1080p][AVC][GB][MP4][鎷涘嫙缈昏瘧鏍″]     274.4MB 14 3 11 zzsJaJA
浠婂ぉ 10:38 2022/09/28 10:38 鏃ュ妵 骞绘湀瀛楀箷缁 銆愬够链堝瓧骞旷粍銆戙赌22骞存棩鍓с赌戙赌愭垜鍠沧涓娄简缁欐垜姗$毊鐨勫コ鐢熴赌戙赌10銆戙赌怑狈顿銆戙赌1080笔銆戙赌愪腑鏂囧瓧骞曘赌     529.7MB 4 1 4 骞绘湀瀛楀箷缁
浠婂ぉ 10:12 2022/09/28 10:12 鍕曟极阔虫▊ 澶╀娇鍔ㄦ极璁哄潧 [220928]銆庛儵銉栥儵銈ゃ儢锛佽櫣銉跺挷瀛﹀湌銈广偗銉笺儷銈偆銉夈儷鍚屽ソ浼氥廟3BIRTH 2nd銈枫兂銈般儷銆孷room Vroom銆峓FLAC]     112.1MB 3 0 5 澶╀娇鍔ㄦ极
浠婂ぉ 09:33 2022/09/28 09:33 鍕曟极阔虫▊ 澶╀娇鍔ㄦ极璁哄潧 [220928]銆庛儵銉栥儵銈ゃ儢锛佽櫣銉跺挷瀛﹀湌銈广偗銉笺儷銈偆銉夈儷鍚屽ソ浼氥廟3BIRTH 2nd銈枫兂銈般儷銆孷room Vroom銆峓320K]     38.4MB 8 0 12 澶╀娇鍔ㄦ极
浠婂ぉ 06:19 2022/09/28 06:19 鍕旷暙 骞绘ū瀛楀箷缁 銆愬够妯卞瓧骞曠粍銆戙8鏈堟柊鐣戙愪笌鐚叡搴︾殑澶滄櫄 Yoru wa Neko to Issho銆戙13銆戙怗B_MP4銆戙1920X1080銆     39.1MB 4 0 10 HYSUB
浠婂ぉ 06:18 2022/09/28 06:18 鍕旷暙 骞绘ū瀛楀箷缁 銆愬够娅诲瓧骞曠祫銆戙8鏈堟柊鐣戙愯垏璨撳叡搴︾殑澶滄櫄 Yoru wa Neko to Issho銆戙13銆戙怋IG5_MP4銆戙1920X1080銆     39.1MB 8 2 36 HYSUB
浠婂ぉ 03:33 2022/09/28 03:33 鍕旷暙 澶╂湀鍕曟极&鐧间綀绲 [Skymoon-Raws] Overlord IV - 13 [ViuTV][WEB-DL][1080p][AVC AAC][绻侀珨澶栨帥][MP4+ASS](姝e紡鐗堟湰) 绱1姊濊璜     383.8MB 25 4 66 Laputa
浠婂ぉ 03:32 2022/09/28 03:32 鍕旷暙 澶╂湀鍕曟极&鐧间綀绲 [Skymoon-Raws] Overlord IV - 13 [ViuTV][WEB-RIP][1080p][AVC AAC][CHT][SRT][MKV](鍏堣鐗堟湰)     368.4MB 10 5 29 Laputa
浠婂ぉ 01:14 2022/09/28 01:14 鍕曟极阔虫▊ [2022.09.28] 鏉卞北濂堝ぎ 3rd銈儷銉愩儬銆學elcome to MY WONDERLAND銆峓MP3 320K]     129.8MB 20 4 81 Mashin
浠婂ぉ 01:13 2022/09/28 01:13 鍕曟极阔虫▊ [2022.09.28] 鏉卞北濂堝ぎ 3rd銈儷銉愩儬銆學elcome to MY WONDERLAND銆峓FLAC 48kHz/24bit]     696.7MB 9 3 41 Mashin
浠婂ぉ 00:40 2022/09/28 00:40 鍕曟极阔虫▊ 2022.09.28] 銉忋偝銉嬨儻銉儶銈(Hanon脳Kotoha) 1st銈儷銉愩儬銆孡ily's Plage銆峓MP3 320K]     247.2MB 14 2 74 Mashin
浠婂ぉ 00:40 2022/09/28 00:40 鍕曟极阔虫▊ [2022.09.28] 銉忋偝銉嬨儻銉儶銈(Hanon脳Kotoha) 1st銈儷銉愩儬銆孡ily's Plage銆峓FLAC 48kHz/24bit]     1.3GB 9 4 44 Mashin
浠婂ぉ 00:21 2022/09/28 00:21 鍕旷暙 婕父瀛楀箷缁 [婕父瀛楀箷缁刔 Mobile Suit Gundam The Witch from Mercury 鏈哄姩鎴樺+楂樿揪 姘存槦鐨勯瓟濂 搴忕珷 1080p MP4 绠绻佸唴宓     1.0GB 20 22 48 婕父瀛楀箷缁
浠婂ぉ 00:21 2022/09/28 00:21 鍕旷暙 骞绘ū瀛楀箷缁 銆愬够妯卞瓧骞曠粍銆戙8鏈堟柊鐣戙愪笌鐚叡搴︾殑澶滄櫄 Yoru wa Neko to Issho銆戙12銆戙怗B_MP4銆戙1920X1080銆     32.6MB 4 1 12 HYSUB
浠婂ぉ 00:20 2022/09/28 00:20 鍕旷暙 骞绘ū瀛楀箷缁 銆愬够娅诲瓧骞曠祫銆戙8鏈堟柊鐣戙愯垏璨撳叡搴︾殑澶滄櫄 Yoru wa Neko to Issho銆戙12銆戙怋IG5_MP4銆戙1920X1080銆     32.6MB 5 1 38 HYSUB
浠婂ぉ 00:15 2022/09/28 00:15 鍕旷暙 骞绘ū瀛楀箷缁 銆愬够妯卞瓧骞曠粍銆戙4鏈堟柊鐣戙愬鏃ラ噸鐜 Summer Time Rendering銆戙24銆戙怗B_MP4銆戙1920X1080銆     565.8MB 14 2 51 HYSUB
浠婂ぉ 00:14 2022/09/28 00:14 鍕旷暙 骞绘ū瀛楀箷缁 銆愬够妯卞瓧骞曠粍銆戙4鏈堟柊鐣戙愬鏃ラ噸鐜 Summer Time Rendering銆戙24銆戙怗B_MP4銆戙1280X720銆     312.8MB 3 0 17 HYSUB
浠婂ぉ 00:14 2022/09/28 00:14 鍕旷暙 骞绘ū瀛楀箷缁 銆愬够妯卞瓧骞曠粍銆戙4鏈堟柊鐣戙愬鏃ラ噸鐜 Summer Time Rendering銆戙24銆戙怋IG5_MP4銆戙1920X1080銆 绱1姊濊璜     565.7MB 16 3 62 HYSUB
浠婂ぉ 00:14 2022/09/28 00:14 鍕旷暙 骞绘ū瀛楀箷缁 銆愬够妯卞瓧骞曠粍銆戙4鏈堟柊鐣戙愬鏃ラ噸鐜 Summer Time Rendering銆戙24銆戙怋IG5_MP4銆戙1280X720銆     312.8MB 12 2 67 HYSUB
浠婂ぉ 00:05 2022/09/28 00:05 鍕曟极阔虫▊ [2022.09.28] Hilcrhyme 11th銈儷銉愩儬銆孲ELFISH銆(TV銈儖銉°屻償銉笺偪銉笺偘銉儷銇ㄨ尝鑰呫伄鏅傞枔 Super Extra銆岴D銉嗐兗銉炪屻偝銈ゃ偞銈炽儹銆) [MP3 320K]     66.6MB 6 2 60 Mashin
浠婂ぉ 00:05 2022/09/28 00:05 鍕曟极阔虫▊ [2022.09.28] Hilcrhyme 11th銈儷銉愩儬銆孲ELFISH銆(TV銈儖銉°屻償銉笺偪銉笺偘銉儷銇ㄨ尝鑰呫伄鏅傞枔 Super Extra銆岴D銉嗐兗銉炪屻偝銈ゃ偞銈炽儹銆) [FLAC 48kHz/24bit]     351.4MB 7 0 24 Mashin
浠婂ぉ 00:01 2022/09/28 00:01 鍕旷暙 ANi [ANi] 鍗$墖鎴伴!! 鍏堝皫鑰 overdress 绗笁瀛 - 13 [1080P][Baha][WEB-DL][AAC AVC][CHT][MP4]     432.5MB 5 1 25 ANiTorrent
浠婂ぉ 00:01 2022/09/28 00:01 鍕旷暙 NC-Raws [NC-Raws] 鍗$墖鎴伴!! 鍏堝皫鑰 overdress 绗笁瀛 / Cardfight!! Vanguard: will+Dress - 13 (Baha 1920x1080 AVC AAC MP4)     431.9MB 5 2 21 涔濆崄涔濇湐澶
鏄ㄥぉ 23:59 2022/09/27 23:59 瀛e害鍏ㄩ泦 肠.肠鍔ㄦ极 [c.c鍕曟极][7鏈堟柊鐣猐[姝¤繋渚嗗埌瀵﹀姏鑷充笂涓荤京鐨勬暀瀹 绗2瀛[01-13][鍚堥泦][BIG5][1080P][MP4] 绱1姊濊璜     2.6GB 56 20 217 lleeopen
鏄ㄥぉ 23:42 2022/09/27 23:42 瀛e害鍏ㄩ泦 [Orient S2][HEVC][MKV][鑻辫瀛楀箷]     3.6GB 0 2 11 roger
鏄ㄥぉ 23:40 2022/09/27 23:40 瀛e害鍏ㄩ泦 [Youkoso Jitsuryoku Shijou Shugi no Kyoushitsu e S2][HEVC][MKV][鑻辫瀛楀箷]     3.0GB 0 6 4 roger
鏄ㄥぉ 23:36 2022/09/27 23:36 鍕旷暙 肠.肠鍔ㄦ极 [c.c鍕曟极][7鏈堟柊鐣猐[OVERLORD IV][13][BIG5][1080P][MP4][END]     279MB 56 3 318 lleeopen
鏄ㄥぉ 23:36 2022/09/27 23:36 瀛e害鍏ㄩ泦 [7鲁ACG x 妗滈兘瀛楀箷缁 x 绂昏氨厂耻产] 鐧介噾绲傚眬/銉椼儵銉併儕銈ㄣ兂銉/Platinum End | 01-24[绠绻佸瓧骞昡 BDrip 1080p x265 FLAC 绱2姊濊璜     21.1GB 15 14 56 c8l
鏄ㄥぉ 23:29 2022/09/27 23:29 鍕曟极阔虫▊ [2022.09.28] Web銈儖銉°屽洓鐣冲崐銈裤偆銉犮優銈枫兂銉栥儷銉笺偣銆嶄富椤屾瓕銆屽嚭鐢烘煶銉戙儵銉儷銉︺儖銉愩兗銈广嶏紡ASIAN KUNG-FU GENERATION [MP3 320K]     33.1MB 7 1 64 Mashin
鏄ㄥぉ 23:29 2022/09/27 23:29 鍕曟极阔虫▊ [2022.09.28] Web銈儖銉°屽洓鐣冲崐銈裤偆銉犮優銈枫兂銉栥儷銉笺偣銆嶄富椤屾瓕銆屽嚭鐢烘煶銉戙儵銉儷銉︺儖銉愩兗銈广嶏紡ASIAN KUNG-FU GENERATION [FLAC 48kHz/24bit]     170.4MB 7 0 27 Mashin
鏄ㄥぉ 23:25 2022/09/27 23:25 鍏朵粬 钀濊帀绀炬椿鍔ㄥ 摆鐛歌赌冲鍣犺悓閫插寲闭摆绗360链焆摆500笔闭触蝇鈥)     2.4GB 5 4 23 鎭嬩箣鏄熺鍏
鏄ㄥぉ 23:22 2022/09/27 23:22 鍕旷暙 婕父瀛楀箷缁 [婕父瀛楀箷缁刔 Mobile Suit Gundam The Witch from Mercury 鏈哄姩鎴樺+楂樿揪 姘存槦鐨勯瓟濂 搴忕珷 Webrip 1080p MKV 绠绻佸鎸 绱1姊濊璜     538.6MB 13 1 58 婕父瀛楀箷缁
鏄ㄥぉ 23:17 2022/09/27 23:17 鍕曟极阔虫▊ [2022.09.28] 銈︺優濞 銉椼儶銉嗐偅銉笺儉銉笺儞銉 WINNING LIVE 08 [MP3 320K]     96.6MB 12 1 71 Mashin
鏄ㄥぉ 23:13 2022/09/27 23:13 锛诧肌锛 [jibaketa]Shine Post 鐗瑰埆绡 TINGS 5浜虹殑骞曞緦灏忔晠浜 - 01 (AT-X 1440x1080i AVC AAC)     1.3GB 0 10 0 jibaketa
鏄ㄥぉ 23:06 2022/09/27 23:06 鍕旷暙 惭颁贰姹夊寲缁 銆惒寻浞℃眽鍖栫粍銆慬OVERLORD IV][涓嶆鑰呬箣鐜 绗洓瀛[SP][13][绻侀珨][1080P][x264 AAC]     36.1MB 7 2 109 澶忔棩骞诲惉
鏄ㄥぉ 23:05 2022/09/27 23:05 鍕旷暙 惭颁贰姹夊寲缁 銆惒寻浞℃眽鍖栫粍銆慬OVERLORD IV][涓嶆鑰呬箣鐜 绗洓瀛[SP][13][绠浣揮[1080P][x264 AAC] 绱1姊濊璜     36.1MB 10 1 23 澶忔棩骞诲惉
鏄ㄥぉ 23:04 2022/09/27 23:04 鍕曟极阔虫▊ [2022.09.28] 銉┿儢銉┿偆銉栵紒铏广兌鍜插鍦掋偣銈兗銉偄銈ゃ儔銉悓濂戒細 R3BIRTH 2nd銈枫兂銈般儷銆孷room Vroom銆峓MP3 320K]     33.3MB 10 2 66 Mashin
鏄ㄥぉ 23:03 2022/09/27 23:03 鍕曟极阔虫▊ [2022.09.28] 銉┿儢銉┿偆銉栵紒铏广兌鍜插鍦掋偣銈兗銉偄銈ゃ儔銉悓濂戒細 R3BIRTH 2nd銈枫兂銈般儷銆孷room Vroom銆峓FLAC]     99.8MB 11 3 22 Mashin
鏄ㄥぉ 23:02 2022/09/27 23:02 瀛e害鍏ㄩ泦 妗滈兘瀛楀箷缁 [妗滈兘瀛楀箷缁刔 鍦ㄥ紓涓栫晫杩峰寮鍚庡 / Isekai Meikyuu de Harem o [01-12 Fin][1080p][绠绻佸唴灏乚 绱2姊濊璜     4.3GB 32 7 106 sakurato
鏄ㄥぉ 23:01 2022/09/27 23:01 瀛e害鍏ㄩ泦 妗滈兘瀛楀箷缁 [妗滈兘瀛楀箷绲刔 鐣颁笘鐣岃糠瀹!鐨勫緦瀹敓娲 / Isekai Meikyuu de Harem o [01-12 Fin][1080p][绻侀珨鍏у祵]     5.4GB 20 16 99 sakurato
鏄ㄥぉ 22:57 2022/09/27 22:57 瀛e害鍏ㄩ泦 妗滈兘瀛楀箷缁 [妗滈兘瀛楀箷缁刔 鍦ㄥ紓涓栫晫杩峰寮鍚庡 / Isekai Meikyuu de Harem o [01-12 Fin][1080p][绠浣撳唴宓宂     5.4GB 67 89 45 sakurato
鏄ㄥぉ 22:52 2022/09/27 22:52 锛诧肌锛 [jibaketa]鐣颁笘鐣岃棩灞 AT-X鍑哄嫉搴 (AT-X 1440x1080i AVC AAC)     980.5MB 7 1 33 jibaketa
鏄ㄥぉ 22:24 2022/09/27 22:24 瀛e害鍏ㄩ泦 骞绘ū瀛楀箷缁 銆愬够娅诲瓧骞曠祫銆戙7鏈堟柊鐣戙愮辜姣嶇殑鎷栨补鐡舵槸鎴戠殑鍓嶅コ鍙 Mamahaha no Tsurego ga Motokano Datta銆戙01~12v2銆戙怋IG5_MP4銆戙1280X720銆     2.6GB 12 11 65 HYSUB
鏄ㄥぉ 22:24 2022/09/27 22:24 瀛e害鍏ㄩ泦 骞绘ū瀛楀箷缁 銆愬够妯卞瓧骞曠粍銆戙7鏈堟柊鐣戙愮户姣嶇殑鎷栨补鐡舵槸鎴戠殑鍓嶅コ鍙 Mamahaha no Tsurego ga Motokano Datta銆戙01~12v2銆戙怗B_MP4銆戙1280X720銆     2.6GB 8 3 18 HYSUB
鏄ㄥぉ 22:17 2022/09/27 22:17 鍕曟极阔虫▊ [2022.09.28] THE IDOLM@STER CINDERELLA MASTER Cute jewelries! 004 [MP3 320K]     136.9MB 8 2 76 Mashin
鏄ㄥぉ 22:09 2022/09/27 22:09 鍕旷暙 NC-Raws [NC-Raws] OVERLORD 绗洓瀛 / Overlord S4 - 13 (CR 1920x1080 AVC AAC MKV)     1.3GB 14 2 90 涔濆崄涔濇湐澶
鏄ㄥぉ 22:07 2022/09/27 22:07 鍕旷暙 Lilith-Raws [Lilith-Raws] Overlord IV - 13 [Baha][WEB-DL][1080p][AVC AAC][CHT][MP4] 绱1姊濊璜     505MB 138 10 912 lilithraws
鏄ㄥぉ 22:02 2022/09/27 22:02 鍕旷暙 ANi [ANi] Overlord S4 - OVERLORD 绗洓瀛 - 13 [1080P][Baha][WEB-DL][AAC AVC][CHT][MP4] 绱1姊濊璜     505.5MB 56 21 309 ANiTorrent
鏄ㄥぉ 22:01 2022/09/27 22:01 鍕旷暙 NC-Raws [NC-Raws] OVERLORD 绗洓瀛 / Overlord S4 - 13 (Baha 1920x1080 AVC AAC MP4)     505.2MB 53 2 452 涔濆崄涔濇湐澶
鏄ㄥぉ 22:00 2022/09/27 22:00 鍕旷暙 NC-Raws [NC-Raws] OVERLORD IV / Overlord S4 - 13 (B-Global 3840x2160 HEVC AAC MKV)     435.4MB 26 2 107 涔濆崄涔濇湐澶
鏄ㄥぉ 21:59 2022/09/27 21:59 鍕曟极阔虫▊ [2022.09.28] THE IDOLM@STER MILLION LIVE! M@STER SPARKLE2 09 [MP3 320K]     52.1MB 10 0 71 Mashin
鏄ㄥぉ 21:22 2022/09/27 21:22 鍕曟极阔虫▊ [2022.09.28] TV銈儖銉°孍ngage Kiss銆嶃偔銉c儵銈偪銉笺偨銉炽偘 1 銈偟銉 [MP3 320K]     16.6MB 13 2 82 Mashin
鏄ㄥぉ 21:22 2022/09/27 21:22 鍕曟极阔虫▊ [2022.09.28] TV銈儖銉°孍ngage Kiss銆嶃偔銉c儵銈偪銉笺偨銉炽偘 1 銈偟銉 [FLAC]     51.8MB 9 0 48 Mashin
鏄ㄥぉ 21:12 2022/09/27 21:12 鏃ュ妵 骞绘湀瀛楀箷缁 銆愬够鏈堝瓧骞曠粍銆戙21骞存櫒闂村墽銆戙怌ome Come Everybody銆戙 鏈缁堝懆 2003-2025 绗108-112鍥炪戙怑ND銆戙1080P銆戙愪腑鏃ュ弻璇 绱1姊濊璜     1.8GB 3 4 30 骞绘湀瀛楀箷缁
鏄ㄥぉ 21:09 2022/09/27 21:09 鍕曟极阔虫▊ 澶╀娇鍔ㄦ极璁哄潧 [220928]THE IDOLM@STER MILLION LIVE! M@STER SPARKLE2 09[320K]     49.2MB 9 0 57 澶╀娇鍔ㄦ极
鏄ㄥぉ 21:03 2022/09/27 21:03 鍕曟极阔虫▊ [2022.09.28] 銉椼儶銉炽偦銈广偝銉嶃偗銉堬紒 Re:Dive PRICONNE CHARACTER SONG 29 [MP3 320K]     96.6MB 13 0 80 Mashin
鏄ㄥぉ 20:44 2022/09/27 20:44 鍕曟极阔虫▊ 澶╀娇鍔ㄦ极璁哄潧 [220928]THE IDOLM@STER CINDERELLA MASTER銆Cute jewelries! 004[320K]     134MB 12 0 63 澶╀娇鍔ㄦ极
鏄ㄥぉ 20:35 2022/09/27 20:35 鍕旷暙 鐖辨亱瀛楀箷绀 [鎰涙垁瀛楀箷绲刔[7鏈堟柊鐣猐[鍦ㄥ湴涓嬪煄灏嬫眰閭傞呮槸鍚︽悶閷簡浠楹 IV 鏂扮珷 杩峰绡嘳[Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka S4][10][1080P][MP4][绻佷腑]     304.8MB 21 0 115 KissSub
灏嶆柤瀹归噺寰堝皬鐨勫収瀹硅珛澶氬姞鐣欐剰锛屽鍗婃槸鎹嗙秮鐥呮瘨鍜屾湪棣殑璩囨簮銆
灏嶆柤瑕栭牷鏂囦欢鎺$敤澹撶府鍖呭舰寮忕櫦浣堢殑锛屼篃璜嬬湅娓呮鍏剁湡瀵︾殑鐩殑锛屽缓璀板爡姹烘姷鍒惰┎椤炰笅杓讹紙缍撻鍛婅ù鎴戝戯紝閫欎簺澶ч兘鏄崋缍佷簡鏈ㄩΜ鐥呮瘨鎴栧唬鍛婅硣鏂欐垨鑰呮槸鍔犱簡瀵嗙⒓鐨勭劇鑹汉澹櫦浣堢殑锛夈
濡傛灉鐧肩従涓婅堪鍟忛锛岃珛鍙婃檪鍚戞垜鍊鑸夊牨
鍕曟极鑺卞湌璩囨簮缍(涓嬬ū链珯)鍙槸涓赌鍊嬬恫绲′氦娴佸钩鍙帮紝鎵赌链夎硣婧愬潎涓嶆槸鐢辨湰绔欎笂杓夋垨鐧兼斁銆傛湰绔欎互鍗虫檪涓婅级鐨勬柟寮忛亱浣滐紝鍕曟极鑺卞湌璩囨簮缍插皪鎵赌链夌暀瑷赌鐨勭湡瀵︽赌с赌佸畬鏁存赌у强绔嬪牬绛夛紝涓嶆渻璨犱笂浠讳綍璨换銆备竴鍒囧収瀹瑰彧灞暀瑷赌钥呭赌嬩汉鎰忚锛屼甫涓崭唬琛ㄦ湰缍茬珯涔嬬珛鍫淬赌傜敤鎴朵笉镍変俊璩村収瀹癸紝涓︽噳镊鍒ゆ柗鍏у涔嬬湡瀵︽赌с赌傛柤链夌枒鍟忕殑鎯呮硜涓嬶紝鐢ㄦ埗镍夌珛鍗冲皨姹傚皥妤剰瑕嬨赌傜敱鏂兼槸鍙楀埌銆屽嵆鏅傜暀瑷赌銆嶉亱浣沧柟寮忔墍闄愬埗锛屾晠涓嶈兘瀹屽叏鐩e疗鎵赌链夊嵆鏅傜暀瑷赌锛岃嫢璁赌钥呯櫦鐝炬湁鐣欒█鍑虹従鍟忛锛岃珛鑱怠鎴戝赌戙赌傛湰绔欐湁娆婃嫆绲曚换浣曚汉澹暀瑷赌鍙婂埅闄ゃ赌佷繚鐣欎换浣旷暀瑷赌銆傚垏鍕挎挵瀵矖瑷赌绌㈣獮銆佽璎椼赌佹覆鏌撹壊鎯呮毚鍔涙垨浜鸿韩鏀绘搳鐨勮█璜栵紝鏁珛镊緥銆傛湰缍茬珯淇濈暀鎵赌链夋瑠鍒┿赌
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If only, if only, my colleagues say, if only the news media had started charging for content when they launched their first websites.

If only the media had charged, then none of the current problems of free content would have happened, the public would know that content costs money and the newspapers and TV stations would have a second, strong income stream and all would be well. There would be lots of good, high paying jobs and the money to do real journalism rather than celebrity silliness.

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If only……

 

So now there is a search for scapegoats. Media managers who have shown that they are completely incompetent in running traditional print and broadcast are an easy and obvious target.

Others blame the tech community and a misunderstanding of the truncated quoting of Stewart Brand, “information wants to be free.”

Then came Wired editor Chris Anderson’s nasty tract, Free. The main flaw in “free” is the assumption that the concept can transfer outside the tech and science fiction communities.  Unlike commodity (or atom)  based corporations, for creative individuals and most of the media, “Free” usually doesn’t work outside those arenas, an inconvenience that the advocates of “free” constantly ignore. What is left is  basically a schoolyard bully taunt: “So there, free is the future, so take your medicine and work for nothing.”

Most of the people who ask the question and provide answers were not around in the earliest days of online news media. So that is why there is a belief that if somehow the media had charged in the early days, today all would be well.

Yes, there was one day and just one day, when, if the media had got its act together, it could have started charging for online news, September 1, 1993. The trouble was that  there were no major media on the Internet in a big way come that September.

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I was present at the creation of online media

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寮佃布鏃ユ湡 鍒嗛 妯欓 纾侀张 澶у皬 绋瓙 涓嬭级 瀹屾垚 鐧间綀浜
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浠婂ぉ 11:55 2022/09/28 11:55 鍏朵粬 钀濊帀绀炬椿鍔ㄥ 銆怤辞.202銆戙倐銇点倐銇点仾銈汇兗銉┿兗链崀500鏋+500鏋殈喔区鈥⑾夆赌喔     2.5GB - - - 鎭嬩箣鏄熺鍏
浠婂ぉ 11:48 2022/09/28 11:48 鍕曟极阔虫▊ 澶╀娇鍔ㄦ极璁哄潧 [220928]HoneyWorks 銉忋偝銉嬨儻銉儶銈(Hanon脳Kotoha) 1st Album銆孡ily's Plage銆峓320K]     232.9MB 0 3 0 澶╀娇鍔ㄦ极
浠婂ぉ 10:55 2022/09/28 10:55 鍕旷暙 鐖埅瀛楀箷缁 銆愮埅鐖瓧骞曠祫銆戔槄7鏈堟柊鐣猍涓嶆鑰呬箣鐜 绗洓瀛/Overlord IV][13][END][1080p][HEVC][BIG5][MP4][鎷涘嫙缈昏鏍″皪]     208.1MB 13 3 17 zzsJaJA
浠婂ぉ 10:53 2022/09/28 10:53 鍕旷暙 鐖埅瀛楀箷缁 銆愮埅鐖瓧骞曠粍銆戔槄7鏈堟柊鐣猍涓嶆鑰呬箣鐜 绗洓瀛/Overlord IV][13][END][1080p][HEVC][GB][MP4][鎷涘嫙缈昏瘧鏍″]     208.1MB 12 6 8 zzsJaJA
浠婂ぉ 10:52 2022/09/28 10:52 鍕旷暙 鐖埅瀛楀箷缁 銆愮埅鐖瓧骞曠祫銆戔槄7鏈堟柊鐣猍涓嶆鑰呬箣鐜 绗洓瀛/Overlord IV][13][END][1080p][AVC][BIG5][MP4][鎷涘嫙缈昏鏍″皪]     274.5MB 7 2 10 zzsJaJA
浠婂ぉ 10:51 2022/09/28 10:51 鍕旷暙 鐖埅瀛楀箷缁 銆愮埅鐖瓧骞曠粍銆戔槄7鏈堟柊鐣猍涓嶆鑰呬箣鐜 绗洓瀛/Overlord IV][13][END][1080p][AVC][GB][MP4][鎷涘嫙缈昏瘧鏍″]     274.4MB 14 3 11 zzsJaJA
浠婂ぉ 10:38 2022/09/28 10:38 鏃ュ妵 骞绘湀瀛楀箷缁 銆愬够链堝瓧骞旷粍銆戙赌22骞存棩鍓с赌戙赌愭垜鍠沧涓娄简缁欐垜姗$毊鐨勫コ鐢熴赌戙赌10銆戙赌怑狈顿銆戙赌1080笔銆戙赌愪腑鏂囧瓧骞曘赌     529.7MB 4 1 4 骞绘湀瀛楀箷缁
浠婂ぉ 10:12 2022/09/28 10:12 鍕曟极阔虫▊ 澶╀娇鍔ㄦ极璁哄潧 [220928]銆庛儵銉栥儵銈ゃ儢锛佽櫣銉跺挷瀛﹀湌銈广偗銉笺儷銈偆銉夈儷鍚屽ソ浼氥廟3BIRTH 2nd銈枫兂銈般儷銆孷room Vroom銆峓FLAC]     112.1MB 3 0 5 澶╀娇鍔ㄦ极
浠婂ぉ 09:33 2022/09/28 09:33 鍕曟极阔虫▊ 澶╀娇鍔ㄦ极璁哄潧 [220928]銆庛儵銉栥儵銈ゃ儢锛佽櫣銉跺挷瀛﹀湌銈广偗銉笺儷銈偆銉夈儷鍚屽ソ浼氥廟3BIRTH 2nd銈枫兂銈般儷銆孷room Vroom銆峓320K]     38.4MB 8 0 12 澶╀娇鍔ㄦ极
浠婂ぉ 06:19 2022/09/28 06:19 鍕旷暙 骞绘ū瀛楀箷缁 銆愬够妯卞瓧骞曠粍銆戙8鏈堟柊鐣戙愪笌鐚叡搴︾殑澶滄櫄 Yoru wa Neko to Issho銆戙13銆戙怗B_MP4銆戙1920X1080銆     39.1MB 4 0 10 HYSUB
浠婂ぉ 06:18 2022/09/28 06:18 鍕旷暙 骞绘ū瀛楀箷缁 銆愬够娅诲瓧骞曠祫銆戙8鏈堟柊鐣戙愯垏璨撳叡搴︾殑澶滄櫄 Yoru wa Neko to Issho銆戙13銆戙怋IG5_MP4銆戙1920X1080銆     39.1MB 8 2 36 HYSUB
浠婂ぉ 03:33 2022/09/28 03:33 鍕旷暙 澶╂湀鍕曟极&鐧间綀绲 [Skymoon-Raws] Overlord IV - 13 [ViuTV][WEB-DL][1080p][AVC AAC][绻侀珨澶栨帥][MP4+ASS](姝e紡鐗堟湰) 绱1姊濊璜     383.8MB 25 4 66 Laputa
浠婂ぉ 03:32 2022/09/28 03:32 鍕旷暙 澶╂湀鍕曟极&鐧间綀绲 [Skymoon-Raws] Overlord IV - 13 [ViuTV][WEB-RIP][1080p][AVC AAC][CHT][SRT][MKV](鍏堣鐗堟湰)     368.4MB 10 5 29 Laputa
浠婂ぉ 01:14 2022/09/28 01:14 鍕曟极阔虫▊ [2022.09.28] 鏉卞北濂堝ぎ 3rd銈儷銉愩儬銆學elcome to MY WONDERLAND銆峓MP3 320K]     129.8MB 20 4 81 Mashin
浠婂ぉ 01:13 2022/09/28 01:13 鍕曟极阔虫▊ [2022.09.28] 鏉卞北濂堝ぎ 3rd銈儷銉愩儬銆學elcome to MY WONDERLAND銆峓FLAC 48kHz/24bit]     696.7MB 9 3 41 Mashin
浠婂ぉ 00:40 2022/09/28 00:40 鍕曟极阔虫▊ 2022.09.28] 銉忋偝銉嬨儻銉儶銈(Hanon脳Kotoha) 1st銈儷銉愩儬銆孡ily's Plage銆峓MP3 320K]     247.2MB 14 2 74 Mashin
浠婂ぉ 00:40 2022/09/28 00:40 鍕曟极阔虫▊ [2022.09.28] 銉忋偝銉嬨儻銉儶銈(Hanon脳Kotoha) 1st銈儷銉愩儬銆孡ily's Plage銆峓FLAC 48kHz/24bit]     1.3GB 9 4 44 Mashin
浠婂ぉ 00:21 2022/09/28 00:21 鍕旷暙 婕父瀛楀箷缁 [婕父瀛楀箷缁刔 Mobile Suit Gundam The Witch from Mercury 鏈哄姩鎴樺+楂樿揪 姘存槦鐨勯瓟濂 搴忕珷 1080p MP4 绠绻佸唴宓     1.0GB 20 22 48 婕父瀛楀箷缁
浠婂ぉ 00:21 2022/09/28 00:21 鍕旷暙 骞绘ū瀛楀箷缁 銆愬够妯卞瓧骞曠粍銆戙8鏈堟柊鐣戙愪笌鐚叡搴︾殑澶滄櫄 Yoru wa Neko to Issho銆戙12銆戙怗B_MP4銆戙1920X1080銆     32.6MB 4 1 12 HYSUB
浠婂ぉ 00:20 2022/09/28 00:20 鍕旷暙 骞绘ū瀛楀箷缁 銆愬够娅诲瓧骞曠祫銆戙8鏈堟柊鐣戙愯垏璨撳叡搴︾殑澶滄櫄 Yoru wa Neko to Issho銆戙12銆戙怋IG5_MP4銆戙1920X1080銆     32.6MB 5 1 38 HYSUB
浠婂ぉ 00:15 2022/09/28 00:15 鍕旷暙 骞绘ū瀛楀箷缁 銆愬够妯卞瓧骞曠粍銆戙4鏈堟柊鐣戙愬鏃ラ噸鐜 Summer Time Rendering銆戙24銆戙怗B_MP4銆戙1920X1080銆     565.8MB 14 2 51 HYSUB
浠婂ぉ 00:14 2022/09/28 00:14 鍕旷暙 骞绘ū瀛楀箷缁 銆愬够妯卞瓧骞曠粍銆戙4鏈堟柊鐣戙愬鏃ラ噸鐜 Summer Time Rendering銆戙24銆戙怗B_MP4銆戙1280X720銆     312.8MB 3 0 17 HYSUB
浠婂ぉ 00:14 2022/09/28 00:14 鍕旷暙 骞绘ū瀛楀箷缁 銆愬够妯卞瓧骞曠粍銆戙4鏈堟柊鐣戙愬鏃ラ噸鐜 Summer Time Rendering銆戙24銆戙怋IG5_MP4銆戙1920X1080銆 绱1姊濊璜     565.7MB 16 3 62 HYSUB
浠婂ぉ 00:14 2022/09/28 00:14 鍕旷暙 骞绘ū瀛楀箷缁 銆愬够妯卞瓧骞曠粍銆戙4鏈堟柊鐣戙愬鏃ラ噸鐜 Summer Time Rendering銆戙24銆戙怋IG5_MP4銆戙1280X720銆     312.8MB 12 2 67 HYSUB
浠婂ぉ 00:05 2022/09/28 00:05 鍕曟极阔虫▊ [2022.09.28] Hilcrhyme 11th銈儷銉愩儬銆孲ELFISH銆(TV銈儖銉°屻償銉笺偪銉笺偘銉儷銇ㄨ尝鑰呫伄鏅傞枔 Super Extra銆岴D銉嗐兗銉炪屻偝銈ゃ偞銈炽儹銆) [MP3 320K]     66.6MB 6 2 60 Mashin
浠婂ぉ 00:05 2022/09/28 00:05 鍕曟极阔虫▊ [2022.09.28] Hilcrhyme 11th銈儷銉愩儬銆孲ELFISH銆(TV銈儖銉°屻償銉笺偪銉笺偘銉儷銇ㄨ尝鑰呫伄鏅傞枔 Super Extra銆岴D銉嗐兗銉炪屻偝銈ゃ偞銈炽儹銆) [FLAC 48kHz/24bit]     351.4MB 7 0 24 Mashin
浠婂ぉ 00:01 2022/09/28 00:01 鍕旷暙 ANi [ANi] 鍗$墖鎴伴!! 鍏堝皫鑰 overdress 绗笁瀛 - 13 [1080P][Baha][WEB-DL][AAC AVC][CHT][MP4]     432.5MB 5 1 25 ANiTorrent
浠婂ぉ 00:01 2022/09/28 00:01 鍕旷暙 NC-Raws [NC-Raws] 鍗$墖鎴伴!! 鍏堝皫鑰 overdress 绗笁瀛 / Cardfight!! Vanguard: will+Dress - 13 (Baha 1920x1080 AVC AAC MP4)     431.9MB 5 2 21 涔濆崄涔濇湐澶
鏄ㄥぉ 23:59 2022/09/27 23:59 瀛e害鍏ㄩ泦 肠.肠鍔ㄦ极 [c.c鍕曟极][7鏈堟柊鐣猐[姝¤繋渚嗗埌瀵﹀姏鑷充笂涓荤京鐨勬暀瀹 绗2瀛[01-13][鍚堥泦][BIG5][1080P][MP4] 绱1姊濊璜     2.6GB 56 20 217 lleeopen
鏄ㄥぉ 23:42 2022/09/27 23:42 瀛e害鍏ㄩ泦 [Orient S2][HEVC][MKV][鑻辫瀛楀箷]     3.6GB 0 2 11 roger
鏄ㄥぉ 23:40 2022/09/27 23:40 瀛e害鍏ㄩ泦 [Youkoso Jitsuryoku Shijou Shugi no Kyoushitsu e S2][HEVC][MKV][鑻辫瀛楀箷]     3.0GB 0 6 4 roger
鏄ㄥぉ 23:36 2022/09/27 23:36 鍕旷暙 肠.肠鍔ㄦ极 [c.c鍕曟极][7鏈堟柊鐣猐[OVERLORD IV][13][BIG5][1080P][MP4][END]     279MB 56 3 318 lleeopen
鏄ㄥぉ 23:36 2022/09/27 23:36 瀛e害鍏ㄩ泦 [7鲁ACG x 妗滈兘瀛楀箷缁 x 绂昏氨厂耻产] 鐧介噾绲傚眬/銉椼儵銉併儕銈ㄣ兂銉/Platinum End | 01-24[绠绻佸瓧骞昡 BDrip 1080p x265 FLAC 绱2姊濊璜     21.1GB 15 14 56 c8l
鏄ㄥぉ 23:29 2022/09/27 23:29 鍕曟极阔虫▊ [2022.09.28] Web銈儖銉°屽洓鐣冲崐銈裤偆銉犮優銈枫兂銉栥儷銉笺偣銆嶄富椤屾瓕銆屽嚭鐢烘煶銉戙儵銉儷銉︺儖銉愩兗銈广嶏紡ASIAN KUNG-FU GENERATION [MP3 320K]     33.1MB 7 1 64 Mashin
鏄ㄥぉ 23:29 2022/09/27 23:29 鍕曟极阔虫▊ [2022.09.28] Web銈儖銉°屽洓鐣冲崐銈裤偆銉犮優銈枫兂銉栥儷銉笺偣銆嶄富椤屾瓕銆屽嚭鐢烘煶銉戙儵銉儷銉︺儖銉愩兗銈广嶏紡ASIAN KUNG-FU GENERATION [FLAC 48kHz/24bit]     170.4MB 7 0 27 Mashin
鏄ㄥぉ 23:25 2022/09/27 23:25 鍏朵粬 钀濊帀绀炬椿鍔ㄥ 摆鐛歌赌冲鍣犺悓閫插寲闭摆绗360链焆摆500笔闭触蝇鈥)     2.4GB 5 4 23 鎭嬩箣鏄熺鍏
鏄ㄥぉ 23:22 2022/09/27 23:22 鍕旷暙 婕父瀛楀箷缁 [婕父瀛楀箷缁刔 Mobile Suit Gundam The Witch from Mercury 鏈哄姩鎴樺+楂樿揪 姘存槦鐨勯瓟濂 搴忕珷 Webrip 1080p MKV 绠绻佸鎸 绱1姊濊璜     538.6MB 13 1 58 婕父瀛楀箷缁
鏄ㄥぉ 23:17 2022/09/27 23:17 鍕曟极阔虫▊ [2022.09.28] 銈︺優濞 銉椼儶銉嗐偅銉笺儉銉笺儞銉 WINNING LIVE 08 [MP3 320K]     96.6MB 12 1 71 Mashin
鏄ㄥぉ 23:13 2022/09/27 23:13 锛诧肌锛 [jibaketa]Shine Post 鐗瑰埆绡 TINGS 5浜虹殑骞曞緦灏忔晠浜 - 01 (AT-X 1440x1080i AVC AAC)     1.3GB 0 10 0 jibaketa
鏄ㄥぉ 23:06 2022/09/27 23:06 鍕旷暙 惭颁贰姹夊寲缁 銆惒寻浞℃眽鍖栫粍銆慬OVERLORD IV][涓嶆鑰呬箣鐜 绗洓瀛[SP][13][绻侀珨][1080P][x264 AAC]     36.1MB 7 2 109 澶忔棩骞诲惉
鏄ㄥぉ 23:05 2022/09/27 23:05 鍕旷暙 惭颁贰姹夊寲缁 銆惒寻浞℃眽鍖栫粍銆慬OVERLORD IV][涓嶆鑰呬箣鐜 绗洓瀛[SP][13][绠浣揮[1080P][x264 AAC] 绱1姊濊璜     36.1MB 10 1 23 澶忔棩骞诲惉
鏄ㄥぉ 23:04 2022/09/27 23:04 鍕曟极阔虫▊ [2022.09.28] 銉┿儢銉┿偆銉栵紒铏广兌鍜插鍦掋偣銈兗銉偄銈ゃ儔銉悓濂戒細 R3BIRTH 2nd銈枫兂銈般儷銆孷room Vroom銆峓MP3 320K]     33.3MB 10 2 66 Mashin
鏄ㄥぉ 23:03 2022/09/27 23:03 鍕曟极阔虫▊ [2022.09.28] 銉┿儢銉┿偆銉栵紒铏广兌鍜插鍦掋偣銈兗銉偄銈ゃ儔銉悓濂戒細 R3BIRTH 2nd銈枫兂銈般儷銆孷room Vroom銆峓FLAC]     99.8MB 11 3 22 Mashin
鏄ㄥぉ 23:02 2022/09/27 23:02 瀛e害鍏ㄩ泦 妗滈兘瀛楀箷缁 [妗滈兘瀛楀箷缁刔 鍦ㄥ紓涓栫晫杩峰寮鍚庡 / Isekai Meikyuu de Harem o [01-12 Fin][1080p][绠绻佸唴灏乚 绱2姊濊璜     4.3GB 32 7 106 sakurato
鏄ㄥぉ 23:01 2022/09/27 23:01 瀛e害鍏ㄩ泦 妗滈兘瀛楀箷缁 [妗滈兘瀛楀箷绲刔 鐣颁笘鐣岃糠瀹!鐨勫緦瀹敓娲 / Isekai Meikyuu de Harem o [01-12 Fin][1080p][绻侀珨鍏у祵]     5.4GB 20 16 99 sakurato
鏄ㄥぉ 22:57 2022/09/27 22:57 瀛e害鍏ㄩ泦 妗滈兘瀛楀箷缁 [妗滈兘瀛楀箷缁刔 鍦ㄥ紓涓栫晫杩峰寮鍚庡 / Isekai Meikyuu de Harem o [01-12 Fin][1080p][绠浣撳唴宓宂     5.4GB 67 89 45 sakurato
鏄ㄥぉ 22:52 2022/09/27 22:52 锛诧肌锛 [jibaketa]鐣颁笘鐣岃棩灞 AT-X鍑哄嫉搴 (AT-X 1440x1080i AVC AAC)     980.5MB 7 1 33 jibaketa
鏄ㄥぉ 22:24 2022/09/27 22:24 瀛e害鍏ㄩ泦 骞绘ū瀛楀箷缁 銆愬够娅诲瓧骞曠祫銆戙7鏈堟柊鐣戙愮辜姣嶇殑鎷栨补鐡舵槸鎴戠殑鍓嶅コ鍙 Mamahaha no Tsurego ga Motokano Datta銆戙01~12v2銆戙怋IG5_MP4銆戙1280X720銆     2.6GB 12 11 65 HYSUB
鏄ㄥぉ 22:24 2022/09/27 22:24 瀛e害鍏ㄩ泦 骞绘ū瀛楀箷缁 銆愬够妯卞瓧骞曠粍銆戙7鏈堟柊鐣戙愮户姣嶇殑鎷栨补鐡舵槸鎴戠殑鍓嶅コ鍙 Mamahaha no Tsurego ga Motokano Datta銆戙01~12v2銆戙怗B_MP4銆戙1280X720銆     2.6GB 8 3 18 HYSUB
鏄ㄥぉ 22:17 2022/09/27 22:17 鍕曟极阔虫▊ [2022.09.28] THE IDOLM@STER CINDERELLA MASTER Cute jewelries! 004 [MP3 320K]     136.9MB 8 2 76 Mashin
鏄ㄥぉ 22:09 2022/09/27 22:09 鍕旷暙 NC-Raws [NC-Raws] OVERLORD 绗洓瀛 / Overlord S4 - 13 (CR 1920x1080 AVC AAC MKV)     1.3GB 14 2 90 涔濆崄涔濇湐澶
鏄ㄥぉ 22:07 2022/09/27 22:07 鍕旷暙 Lilith-Raws [Lilith-Raws] Overlord IV - 13 [Baha][WEB-DL][1080p][AVC AAC][CHT][MP4] 绱1姊濊璜     505MB 138 10 912 lilithraws
鏄ㄥぉ 22:02 2022/09/27 22:02 鍕旷暙 ANi [ANi] Overlord S4 - OVERLORD 绗洓瀛 - 13 [1080P][Baha][WEB-DL][AAC AVC][CHT][MP4] 绱1姊濊璜     505.5MB 56 21 309 ANiTorrent
鏄ㄥぉ 22:01 2022/09/27 22:01 鍕旷暙 NC-Raws [NC-Raws] OVERLORD 绗洓瀛 / Overlord S4 - 13 (Baha 1920x1080 AVC AAC MP4)     505.2MB 53 2 452 涔濆崄涔濇湐澶
鏄ㄥぉ 22:00 2022/09/27 22:00 鍕旷暙 NC-Raws [NC-Raws] OVERLORD IV / Overlord S4 - 13 (B-Global 3840x2160 HEVC AAC MKV)     435.4MB 26 2 107 涔濆崄涔濇湐澶
鏄ㄥぉ 21:59 2022/09/27 21:59 鍕曟极阔虫▊ [2022.09.28] THE IDOLM@STER MILLION LIVE! M@STER SPARKLE2 09 [MP3 320K]     52.1MB 10 0 71 Mashin
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I was working in “online media” long before the launch of the World Wide Web, back in the days of videotex and teletext from 1981-1985.

The Internet played a role in my science fiction short story Wait Till Next Year, published in Analog in November, 1988 (although I got some of the tech details wrong).

I got my first Internet account in August 1993. Note I am a very early adopter and got in just before the Internet tsunami a month later in September 1993.

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I co-wrote the first book on Researching on the Internet, published in the fall of 1995. So I was researching the state of the internet, the web, and the media at the first moments of news on the web.

I was the third employee assigned to CBC News Online, April 1, 1996.

The cold, hard fact is that web evolved with free content. It had little to do with Stewart Brand. So when the media first ventured onto the web, the media had to play by the rules at the time. Those rules appeared to say, “commerce on the Internet is a no- no.”

The Genesis of the media on the Internet

 

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In the beginning, (in 1968-1969) US Department of Defence created ARPANET.

And DOD saw that it was good.

DOD said let the military and the scientists communicate.

And the military and the scientists communicated.

And DOD saw that it was good. The American was getting a good return for their money.

But then there was darkness on the face of ARPANET,

DOD saw that too many people had access to the ARPANET and most of the users didn’t have security clearances.

DOD said in 1983, we will create a separate MILNET and give the scholars ARPANET
In 1984, the National Science Foundation created NSFNET.

And DOD and NSF saw that it was good.

Thus TCP/IP spread to universities around the world.
And the scholars saw that it was good.

The techs improved a system called UUCP and created protocols for e-mail, ftp and newsgroups.

And the techs saw that UUCP was good and said GNU, thus, this protocol shall be free to all.

The campus deans said let us have more access to ARPANET, NSFNET,TCP/IP and UUCP NET via private sector telecoms who can do the wiring.

Verily the private sector telecoms wired the universities and the laboratories and created dial up for scholars in their homes.

The telecoms reaped great profits of gold and silver and precious things from those wires.

And DOD and NSF and the scholars and the techs and the telecoms saw that it was good.

NSF decreed that NSFNET and ARAPNET shall be free from commerce, for it was the will of the community that the networks are for education and the spread of human knowledge.
And so NSF said we shall cast out UUCP NET because it can be used for commerce (but we will still use the free software they developed).

And thus UUCP NET was cast out.

The telecoms and the nations of the world far from North America agreed that this networked system was good and created their own networks.

And they all saw that it was good.

Thus it came to pass that the universities which had journalism schools gave their students access to what was now known as the Internet.

And lo and behold it appeared to be free (although their accounts were paid for, in part, by tuition fees). The students were taught that the Internet was educational and thus should be free for all.

At the same time their elders in journalism who loved tech were using another system called CompuServe (which the elders had to pay for with their credit cards).
The journalism students and j-professors came on to CompuServe said “Behold I bring you tidings of great joy. There is this wonderful thing called the Internet and it is free.”

It came to pass that Tim Berners-Lee at CERN created the World Wide Web.
And all saw that the World Wide Web was good.

So the professors, and the students and the reporters and the editors, all of whom loved tech, all rejoiced when they saw the World Wide Web. For they thought they had found the perfect way to deliver the news.
Out of a whirlwind came Netscape.245-netscapes.jpg

At first only the techies loved Netscape.

Then Netscape said we shalt have an IPO.

In the year of our Lord 1995, on the ninth day of August, the IPO came to pass, and it was wonderful and the Netscape stock set a record on Wall Street.

So Netscape became front page news and was high on the evening newscasts.

The media barons and all priests and scribes of the news temples saw that much gold and silver was going to Netscape and asked “What is going on?”

So the barons and the priests and the scribes summoned those of their followers who were techies and said “Tell us, what is this Internet? What is this World Wide Web? Why is Wall Street giving gold and silver and precious things to Netscape?”
The techie reporters and editors said to the barons, the priests and the scribes, this is the Internet, this is the Web.

The techie followers showed the barons, the priests and the scribes their personal websites. Thetechie editors showed the barons, priests and scribes the under the table news sites they had created. They told the exalted ones this World Wide Web is perfect for delivering news, you can have text, you can have pictures, you can have audio and you can even have video.

The barons and the priests and scribes decreed to their techie followers and editors. “Thou shalt build websites for our news operations.”

So the techie news people and the tech techies laboured mightily and created websites. They presented the websites to the barons, priests and scribes.

The barons, priests and scribes looked at the websites and saw that they were good. So they told the news people and techies that they had done a great service and would be rewarded from the gold and silver we get from this new World Wide Web (although the barons, scribes and priests, like all their kind, were lying and did not intend to really reward their followers).

The techie news people and the tech techies trembled and quaked but bravely told the barons, priests and scribes, “No, oh exalted ones, that is forbidden. It has been decreed from on high that there will be no commerce on the Internet.” And they were sore afraid.

The barons, priests and scribes said to themselves, “What the fuck is going on?”

So that’s the story.
.
 From creation to evolution

There are two key points.

First, as is well known, the Internet did evolve from military, scientific and university communications systems which were, on the surface, free, although, of course, largely paid for by the American taxpayer and university endowments

The culture of free exchange of information is the basis of scholarship, but is, of course, paid for behind the scenes, by government, foundation and endowment funding. Thus the culture of freeinformation existed at the core of Internet use at the time the media first began to be interested in putting news on the web.

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Second, in the early 1990s, before the rise of the independent Internet Service Providers and the expansion of services by the telecoms, large and small, the main communication network for the Internet in North America was the NSF Backbone, the high speed Internet communications network run by the U.S. National Science Foundation, which as part of its policy, forbade the use of the backbone for commercial purposes.

Thus in theory, and the conventional wisdom believed, no one using the Internet for commercial purposes, and that would have included charging for news, could use the main North American Internet information communications backbone.

But, in reality, the situation was a lot greyer and not so black and white.

I kept all my research material from the time in 1993-1994 (which I recently donated to the York University Computer Museum)when I was writing Researching on the Internet.

Here is what a couple of the leading books of the time said (books which most libraries, I suspect, discarded long ago and so are no longer available to those who lament the media if only)


Internet Companion A beginners guide to global networking
Tracy LaQuey with Jeanne C Ryer, Addison Wesley, May 1993, put it this way:

Probably the best known and most widely applied is NSFNETs Acceptable Use Policy , which basically states the transmission of “commercial” information or traffic is not allowed across the NSFNET backbone, whereas all information in support of academic and research activities is acceptable.

It sounds somewhat complicated, but you need to remember the original Internet began as US government‑funded experiment and no one expected it to become the widespread, heavily used production network it is today.

It’s going to take a while for commercialization and privatization of these networks to occur. The Internet as whole continues to move to support‑‑or at least allow access to‑‑more and more commercial activity. We may have to deal with some conflicting policies while the process evolves, but at some point in the Internet future, free enterprise will likely prevail and commercial activity will have a defined place, making the whole issue moot, In the meantime, if you’re planning to use the Internet for commercial reasons, make sure the networks you’re using support your kind of activity.

 

Another book, just a little later, Kevin M Savetz Your Internet Consultant The FAQs of Life Online. Sams, 1994

Commercial activity isn’t allowed on the Internet? It’s purely an academic and educational network, right?

People who advertise and sell stuff on the net should be flogged, right?
Yes and no. As mentioned earlier in this book the Internet is composed of a variety of different networks. Each network has its own set of rules, called acceptable use policies.

Certain networks [particularly the National Science Foundation network, the NSFnet, have strict acceptable use policies that ban most types of commercial use.

On the other hand, another backbone network within the Internet world has been finding considerable interest among commercial internet users‑‑the Commercial Internet Exchange (CIX). The acceptable use policies of CIX are much more broad and advertising and selling are both within its purview. So although commercial activity isn’t allowed on certain parts of the Internet, it is allowed on others.

People who advertise on the Internet should only be flogged for heinous violations of Internet culture, such as sending unsolicited junk e‑mail or posting commercial messages to Usenet groups that aren’t supposed to be used for commercial messages.

In the same book, another writer, Michael Strangelove, answered the question (key for the media in retrospect and somewhat prescient as well)

Is advertising allowed on the Internet?

…many people see internet as a noncommercial, academic, purely technical environment. Not so: today about fifty per cent of the Internet is populated by commercial users, The commercial Internet is the fastest growing part of cyberspace,

Businesses are discovering that they can advertise to the Internet community at a fraction of the cost of traditional methods. With tens of millions of electronic mail users out there in cyberspace today . Internet advertising is an intriguing opportunity not be overlooked. When the turn of the century rolls around and there are one hundred million consumers on the Internet, we may see many ad agencies and advertising supported magazines go under as businesses learn to communicate directly with consumers in cyberspace.

 

Those were print books aimed at the newbie Internet user.

But it also means that if the media had had the foresight to get on the Internet in the earliest years of the 1990s, they would have had to become part of the proposed Commercial Internet Exchange.

But in 1991, 92, 93, online in a newsroom was confined to what was called in many American (and Canadian) newsrooms, the “geek in the corner.”

The situation was already changing even as those books went to press.

Here is how Wikipedia explained the changes.

The interest in commercial use of the Internet became a hotly debated topic. Although commercial use was forbidden, the exact definition of commercial use could be unclear and subjective. UUCPNet and the X.25 IPSS had no such restrictions, which would eventually see the official barring of UUCPNet use of ARPANET and NSFNet connections. Some UUCP links still remained connecting to these networks however, as administrators cast a blind eye to their operation….

In 1992, Congress allowed commercial activity on NSFNet with the Scientific and Advanced-Technology Act, 42 U.S.C. § 1862(g), permitting NSFNet to interconnect with commercial networks.[31] This caused controversy amongst university users, who were outraged at the idea of noneducational use of their network

 

So, the US Congress had opened up the Internet to commercial activities in that country.

 

The geeks, bearing content

 

Most of the media was still clueless and didn’t jump to the opportunity, even if they ran Sunday feature stories on the geeks or closing items on the evening news about this thing called “The Internet.”

It is likely that the vast majority of executives with their eyes on Wall Street and paying consultants pushing 1970s media models had no idea that they employed a “geek in the corner,” much less what the geek was doing.

Apart from tech companies, both hardware and software’s growing giants plus the small office start ups and computer science grad students with big ideas, which made up most of Strangelove’s “commercial activity,” the private sector around the world was slow to take up the challenge.

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The CBC, as Canada’s public broadcaster, had, at least in those days, a mandate to experiment and innovate. So in 1993, CBC began an experiment working toward streaming radio on the Internet, in cooperation with the Communications Research Council. But as an experiment and coming from a public broadcaster there was no thought of charging for the service. (The history of the early days of CBC.ca shows the kinds of problems that executives faced. And it was a lot harder for the private sector which was expected to make money and even harder now  in the era of bean counting consultants and their talk of profit centers).

When business executives finally realized that the Internet was open to commerce, the news media was one of the first industries to make a major effort to invest on posting their material, most of it repurposed on the World Wide Web. The move was most often driven by those managers and employees who were still around from the videotex and teletext days, who saw web based news might succeed where the 1980s projects failed. Usually, these experiments were not sanctioned by head office and the money came from a little creative budgeting.

That meant the content had to be free, right from the beginning.

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There’s one factor, that today’s audience metrics obsessed media bean counters have never considered when they say “If only. ” Their all important audience. The audience for online news in the mid-1990s were Internet and Web early adopters and most had adopted the culture of free information. In those early days, no media was willing to make an investment in online content that was actually worth paying for. Most of the news was repurposed from existing print, radio or television, which was readily available (for a price, of course)

So when the first media pioneers ventured on to the Internet in the mid-1990s (including CNN, NBC, the CBC where I worked, the Raleigh News and Observer, The Globe and Mail and The Toronto Star and others) the media was caught in an evolutionary feedback mechanism.

To attract the early adopter audience, the news had to be free. The audience that might have paid was not yet online (although the richer business types were using proprietary electronic services–which meant they didn’t need to pay for web content either. That pre-web willingness to pay for business information is why the  Wall Street Journal paywall has worked while others failed). 250-timecover2s.jpg

Where was the money to come from? The early click through rates for the first banner ads (which many in the audience actually objected to) were dismal.

Development of good websites cost time and money and the media was already facing the culture of free. (I predicted trouble for newspapers when I was interviewed by Craig Saila for the Ryerson Review of Journalism in fall 1996, an article published in spring 1997 www.clueless.@nd.hopeless.ca (Registration required)   (Also available on Craig Saila’s site)

The headline pretty much sums up the attitude the students of the time had to media management which was failing to adapt to the fast changing environment.

Looks like the students were right. The Ryerson article was just about the media that had had the courage to venture on to the web by the fall of 1996.

Most of the news media were late comers and took almost a decade to catch up in page views with the early starters. The late comers couldn’t charge for their content because 95% of those early online services, their competitors, were free. Neither were putting that much money into real web content.

If only

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There was one day that all the media could have made sure they could charge for content. September 1, 1993.

For it was in September 1993 that the Internet (not yet the web) took an evolutionary leap from a government, military and academic information network and communication system to one used by the public.

In September 1993, America Online, then the largest paid service, opened a gateway to Usenet, the “newsgroups” of the Internet for its subscribers. It was a time for those who then thought the Internet was their exclusive domain remember with horror, called by some the tsunami or the beginning, as described by Wikipedia as the “Eternal September,” when their private party ended.

Yes there were a few news organizations with a presence on CompuServe or America Online on September 1, 1993 but far too few and the content was far too thin.

If the media wanted to charge for content, after September 1993, when the thousands of AOL subscribers ventured on to the adolescent Internet of the time and embraced the culture where they expected free content, it was already too late.

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A tectonic collision occurred that September, the leading edge of one continent collided with another.

Invasive species penetrated the long balanced media ecosystem and disrupted it beyond imagination. So will evolutionary forces work, will the news media adapt to the new environment​?

Related

Thirty Years in New Media

Thirty Years in New Media Part II The Veteran Strikes Back

 

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